From the Editor
* Pooja Ghai has taken over as Artistic Director and Chief Executive Officer of Tamasha Theatre Company: organisational model - “building a clear pipeline from writer development to mid-scale production and placing Global Majority artists at the centre of British theatre”.
Daniel Nelson london.globalevents@gmail.com
TALKS AND MEETINGS
Monday 30 March
* Trump, China and the New World Order, panel discussion, 7pm, from £5.94, Frontline Club, 13 Norfolk Place, W2. Info: Frontline
* Reclaiming Democracy: Lessons from around the globe, seminar examining how the Global South can help strengthen democracy in the global North, and how European countries can collaborate to strengthen democracy around the world. Info: Institute of Development Studies
* Land Day Webinar: The ongoing struggle against ethnic cleansing, Salman Abu-Sitta, Manal Shqair, 6-7pm, online. Info: Palestine Campaign
* (In)security in Brazil: how did we get here and what could we do about it now?, Gabriel Feltran, the opening event of King’s Brazil Week, 6-8pm, King’s College, Strand campus, 30 Aldwych, WC2B 4BG
Wednesday 1 April
* Humanitarian aid at a crossroads: how to let go, David Sanderson, Ben Ramalingam, 4-5.30pm, online and in person, Overseas Development Institute, 4 Millbank SW1P 3JA. Info: ODI
* Palestine Mapped, Thomas Suárez explores the history, importance and power of geographic thought on Palestine and its people, 6.30-8.30pm, £5, 21-27 Chalton Street, NW1 1JD. Info;P21
EXHIBITIONS
* Emergency Exits: The fight for independence in Malaysia, Kenya and Cyrus, how post Second World War “emergencies” as they were termed by the UK, shaped Britain, its former territories and the modern world, free, Imperial War Museum, Lambeth Road SE1 6HZ, until 29 March. .Info: IWM
* Hawai’i: a kingdom crossing oceans, a celebration of art and history, £16/£14, British Museum, Great Russell Street, WC1B 3DG until 25 May.. Info: Hawai’i
* A Greenland shadow over a wonderful Hawai’i exhibition
* Botanical Tales and Seeds of Empire & Flora Indica: Recovering the lost histories of Indian botanical art, The Singh Twins examine the global mythologies of plants and the histories of Empire + work by historical Indian botanical artists; admission with Kew entry free, Shirley Sherwood Gallery of Botanical Art, Kew Gardens, until 12 April
+ The Singh Twins light up the links between empire and botany
+ The Singh Twins spotlight Kew’s role in the business of Empire
* Bibby Boys, documents the experience of the men aboard the Bibby Stockholm barge and the community that rallied around the migrants, Photofusion, Unit2, 2 Beehive Place, SW9 7QR until 4 April. Info: Photofusion
* Mil Veces un Instante (A Thousand Times in an Instant), Mexican artist Teresa Margolles’ cuboid on the Fourth Plinth in Trafalgar Square is a memorial to trans people worldwide
* Nigerian Modernism, Nigerian artists working before and after the decade of national independence from British colonial rule in 1960, Tate Modern, Bankside SE1 9TG until 10 May. Info: Tate
* Hurvin Anderson, 80 nworks by the British-Jamaican artist, Tate Britain, Millbank, SW1P 4RG until 23 August. Info: Tate
* The Land Carries, work by three international artists: Ahmed Akasha (UK), Dina Nur Satti (US) and Yasmin Elnour (Bahrain) responding to material in the Petrie Museum of Egyptian and Sudanese Archaeology,1 - 5pm, Petrie Museum, University College London, Malet Place, WC1E 6BT until 16 May. Info: Sudan exhibition
* Collecting and Empire, trail making connections between archaeology, anthropology and the British Empire, British Museum, Great Russell Street, WC1. Info: British Museum
* British Library, installation of 6,328 books marks the contributions of migrants to UK, Tate Modern, Bankside, SE1. Info: Installation/ 7887 8888
* Target Queen, large-scale commission by British-Indian artist Bharti Kher, Hayward Gallery, Southbank Centre
* Water Pantanal Fire, photography exhibition revealing the fragile beauty of the Pantanal, the world’s largest wetland that sprawls across Brazil, Bolivia and Paraguay, free, Natural History Museum, Cromwell Road, SW7 2DD until 31 May. Info: Museum
* Bouchra Khalili: Circles and Storytellers, the culmination of the French-Moroccan artist and educator’s exploration of the Mouvement des Travailleurs Arabes and its theatre groups, Al Assifa and Al Halaka, free, Mosaic Rooms, 226 Cromwell Road, SW5 0SW, until 14 June. Info: Mosaic
* Beatriz González, the Colombian artist explores the impact of the images we encounter every day, Barbican Centre, Silk Street, EC2Y 8DS until 10 May. Info:Barbican
* Yin Xiuzhen: Heart to Heart, through large-scale installations made from everyday objects, industrial materials and used items of clothing, the Chinese artist invites us to see the familiar in new ways, £19 (includes admission to Chiharu Shiota: Threads of Life), Hayward Gallery, Southbank Centre, Belvedere Road, SE1 8XX until 3 May. Info: Hayward
* The Land Carries, exploration of Sudanese history, culture and nationhood through contemporary art, free, 1-5pm, University College London Petrie Museum, Gower Street, WC1E 6BT. Info: Petrie
* Moved to Care: Stories of Health and Migration, explores the contributions of migrants from across the globe to healthcare over the last 150 years, from the 19th century colonial legacy of missionary nurses to the Windrush Generation, free, 20 Cavendish Square, W1G OR until 2 November. Info; Royal College of Nursing
+ Migrant nurses: Looking after Britain’s health
* Deutsche Börse Photography Foundation Prize, the shortlist includes Amak Mahmoodian (Iran) on the effects of exile on memory and identity, imagining a world without borders, £10/£7, Photographer’s Gallery, 16-18 Ramillies Street W1 until 7 June. Info: Prize
* The Boy on the Peacock Throne: A Memoir in Images/ Echoes in Print/ Threads of Home From Hopscotch Women’s Centre, two exhibitions by Iranians, one by Afghan refugee women; part of Persian New Year celebrations, free, Lauderdale House, Waterlow Park, N6 5HG until 6 April. Info: Lauderdale House
* The Arab Hall: Past and Present, the Hall in the 100-year-old Leighton House is a blend of 13th-century Damascus tiles and Victorian architecture. A new exhibition features contemporary art and a dedicated film, offering a deeper look at how Islamic art has influenced British spaces, £14, Leighton House, 12 Holland Park Road, W14 8LZ until 4 October. Info: Leighton House
* Museum of Edible Earth, explore geophagy, the practice of eating earth for health, ritual and culinary benefit. The exhibition brings together edible samples of clay, chalk and mineral-rich earths from around the world, pay what you can, Somerset House, Strand WC2R 1LA until 26 April. Info: Somerset House
+ Try a taster at the Museum of Edible Earth
ARTS OPPORTUNITIES
* 30 Black UK-based filmmakers and content creators are wanted for Momentum - a free, nine-month professional development programme supported by Channel 4 and Sony Pictures Television. To register your interest, email: momentum@weareparable.comwith the subject line: Registering interest for Momentum 2026
* Projekt Empower’s mentoring programme for migrant theatre-makers at the start of their UK careers opens to applicants on 8 April.
* Entries for the London Palestine Film Festival must be submitted by 30 June. contact@palestinefilm.org.uk
* Wanted: poems and short prose on the tragedy of refugee deaths in the Channel.
* the other side of hope: journeys in refugee and immigration literature invites submissions for its next issue, “other tongue, mother tongue.” It seeks poetry by migrants in any language except English. Guidelines.
* The Young Playwrights Award is a free, open-access competition for any teenager in the UK interested in writing a play. Entries are open until 22 April.
* The Royal Court Theatre’s Writers’ Card aims to help playwrights through mentoring, networking, funding opportunities, events, subsidised meals and free script printing.
* P21 Gallery & Az Theatre invite submissions for an upcoming exhibition and activities programme on artistic responses to genocide: all media, any genocide.
* The Climate Migration Collaborative seeks contributors to its Climate Migration Storytelling. initiative.
* Comedian Munya Chawawa has launched Black Boys Theatre Club “to give young men access to a world of theatre”.
* Women writers, directors, performers, musicians and visual artists are invited to submit projects for the Playground Theatre’s planned Women’s Voices: A Celebration.
* The BFI is to invest £150m over the next three years under six headings: audiences, education & heritage, filmmaking & talent development, skills & workforce development, international, and insight & industry.
* New Diorama Theatre is distributing grants of £500 to migrant theatre makers to ease the burden of visa, legal, and other bureaucratic costs affecting migrants navigating UK immigration.
* Good Chance, formed in the Calais Jungle refugee camp, is launching Stage Door 10 - a national programme placing 10 creatives from refugee backgrounds in paid roles across 10 UK theatres and arts organisations.
* Theatro Technis and Hyphen Artist Collective’s offer free in-person & online writing sessions + community chats for hyphenated & global majority creatives.
* Applications for the next round of Artist Surgeries at the Gate Theatre are invited.
* As Yet Unscene, year-round initiative to find and develop scripts in early stages of development. it includes workshops, rehearsed readings and fully-rehearsed performances of longer extracts. Details here
* The Cockpit Theatre offers classes, workshops, readings, advice sessions, support & performance opportunities.
* Papatango hopes its new Playwrights’ Studio will be a home for playwrights of all levels of experience. Its advantages include digital workshops, lone-to-one, and thousands of pounds in open-access funding.
* If you are a refugee, immigrant or asylum-seeking writer interested in exploring your own poetry and prose, Exiled Writers Ink offers classes.
FILM
* My Father’s Shadow, two brothers connect with their father in this drama set against the backdrop of the 1993 Nigerian presidential election, Picturehouses Hackney, Ritzy, West Norwood; (BAFTA winner for Outstanding Debut by a British Writer, Director, or Producer (Akínọlá Davies Jr)
+ A father’s shadow - and the shadow of a Nigerian coup
+ Ṣọpẹ́ Dìrísù: ’If the west doesn’t say a film is good, that doesn’t mean it’s no good’
* The Secret Agent, Brazilian political thriller about an academic on the run in the dangerous, dictatorial 1970s; cinemas. Picturehouses Central, Crouch End, East Dulwich, Finsbury Park, Hackney, Ritzy, West Norwood; 30 March only: Odeon Luxe Haymarket
* BFI Flare, London LGBTQIA+ Film Festival, BFI Southbank until 29 March. Info: Flare
+ A celebration of queer cinema from around the world
Sunday 29 March
* Matutu Film Stage – Days One, and Two, a travelling pan-African short film festival that began in Uganda. Inspired by the matatu minibuses that move people, stories, and ideas across East African cities, Saturday 6pm £7.50/£10; Sunday 5.15pm, £10, Rich Mix, 35-47 Bethnal Green Road E! 6LA
Tuesday 31 March
*Comparsa, after 41 girls are killed in a state-run “Safe Home” in Guatemala and the government refuses to act, two sisters lead a rebellion - unleashing joy, art, and radical truth in a fight for survival, and they open up about surviving violence in their own home + filmmaker Q&A, 6.20pm, Curzon Bloomsbury
* A Sad and Beautiful World, Lebanese drama across three decades of passion, loss and hope + discussion with Mounia Akl and director Cyril Aris, 6.15pm, Rio Dalston
Thursday 2 April
* Everybody to Kenmure Street, documentary about a popular movement to halt an immigration clampdown in Scotland, Hackney Picturehouse
from Friday 3 April
* Kinoteka: Letters From Wolf Street,Arjun Talwar arrived in Poland over a decade ago to study cinematography. He explored the Warsaw street where he lives, and the resulting intimate, often funny film is a positive contribution to contemporary discussions on immigration, Curzon Bloomsbury + 4, 6 April
Saturday 4 April
* The Year of Living Dangerously (1982), an inexperienced Australian reporter arrives in Indonesia to investigate political turmoil. A charismatic war photographer with dwarfism gives him tips and introduces him to a beautiful British Embassy employee, setting the stage for a whirlwind love affair, 2.40pm, National Film Theatre
Sunday 5 April
* Palestine 36, Yusuf flees his rural home for Jerusalem’s charged streets, forced to confront British colonial rule, rising Jewish migration and the inexorable drift toward a revolt, in this epic historical drama, 6.30pm, Lexi
+ Palestine 1936: A story for today
PERFORMANCE
* Jaja’s African Hair Braiding, Jocelyn Bioh’splay about life in a bustling Harlem braiding salon where neighbourhood women come to have their greatest hairstyle dreams come true, all in the hands of a lively group of West African immigrant braiders, from £10, Lyric Hammersmith, Lyric Square, King Street, W6 0QL until 25 April. Info: Lyric
+ 2 April, Q&A with director Monique Touko + DJ in the bar until 11pm
Sunday 29 March
* The LOST Lombi lifts the lid on the recruitment of child soldiers while exploring identity, the generational trauma of war, the necessity of belonging and the importance of forgiveness, 7.30pm, £25, concessions for seniors, students unemployed, Playground Theatre, Latimer Road, part of Women’s Voices: A Celebration. Playground
Tuesday 7 April
* State of the Nation An Evening with Akala, the award-winning hip-hop artist, bestselling author, historian and social entrepreneur has a reputation for unpacking the forces that shape modern British culture and politics, 7pm, from £32, Royal Festival Hall, Southbank Centre SE1 8XX. Info:An Evening with Akala
from Tuesday 7 April
* The Boy At The Back Of The Class, joyful play about new-boy Ahmet, who never talks or smiles and doesn’t like sweets. After learning that Ahmet has fled his war-torn country, his classmates have ‘The Greatest Idea in the World’ – a magnificent plan to reunite Ahmet with his family, from £16, Queen Elizabeth Hall, Southbank Centre, Belvedere Road, SE1 8XX, until 11 April. Info: Southbank Centre
from Wednesday 8 April
* The Spectacular, an experiment in the performance of (Irish) nationalism, interrogating how to engage with contentious history when the descendants of colonised and coloniser are forced together in a room, £12-£18, Camden Peoples Theatre, 58-60 Hampstead Road, NW1until 11 April. Info: CPT
TV & RADIO
Saturday 28 March
* Bill Bailey’s Vietnam, yet another celebrity travelogue, 9.30pm, Channel4
* 400 Strangers, drama about asylum seekers in a Midlands town, 3pm, Radio4
* The Second Map - The Battered Suitcase, stories from the Asian front in the Second World War, 7.15pm, Radio4
Sunday 29 March
* Burma With Simon Reeve, focussing on the Rohingya crisis, 8pm, BBC
Monday 30 March
* Global Eye, topical magazine, 7pm, BBC2
* Clash of the Superpowers: America v China, second of two programmes, 9pm, BBC2
* How Did We Get Here?, series about the history of the Israel-Palestine conflict, 8pm, Radio4
Tuesday 31 March
* The Artificial Human, the AI bubble, 11.30pm, Radio4
Wednesday 1 April
* Sorry, I Didn’t Know, Black comedy quiz, 11.40pm, ITV1
Thursday 2 April
* Dispatches: Click To Kill - the AI War Machine, tech involvement in war, including Gaza, 10pm, Channel4
* Clash of the Superpowers: America v China, second of two programmes, 11pm, BBC2
Saturday 4 April
* Earth’s Rivers: The Nile, 3.50pm, BBC2
* Bill Bailey’s Vietnam, last in series, 9pm, Channel4