A nine-year-old boy is captured by a murderous militia and made to watch and later commit gruesome murders. As a child and later a commanding member of the gang he commits atrocious murders, torture, rapes. Should he be treated as a victim or a perpetrator?

A tower of 700 captured chainsaws is one of the most striking images in Delikado, a documentary about a group of environmental defenders in The Philippines.

Koromousso: Big Sister is a documentary about female genital mutilation - and it’s heartwarming.

Twenty-six years after he unsuccessfully headed from Nigeria to Europe, Ike Nnaebue set off again, this time to talk to West African emigrants still lured by the vision of a better life on another continent.

I don’t like K-pop, which is too corporate, calculated and soul-less for my taste. But I was fascinated by Hallyu! The Korean Wave, the V&A’s latest blockbuster.

The facts are brutal, the performance is a dramatic meditation.

‘How Not To Drown’ looks as though it will be another perilous tale of a young migrant making his way by truck and boat to Britain, but it morphs into a heartbreaking critique of our fostering system.

On The Ropes ”tells a story that is fundamentally important to all British people in understanding what it means to be British, particularly in the context of the ongoing debate about immigration”.

Cotton: labour, land and body tries to squeeze centuries of colonial “economic violence”, exploitation, impoverishment and South Asian migration into a single room at the Crafts Council in London.

Grief, death, illness, disability, suffering, loss: Sons Of The Prophet is a Christmas comedy.

Writer and actor Jasmine Naziha Jones grows up a second time in her debut play, Baghdaddy.

The growing Chinese population in the UK exceeds 400,000. How much do you know about their lives here?

The elephant in the room in Anoushka Lucas’ excellent one-woman show at the Bush Theatre is the piano.

During the 1991 Gulf War Maysoon Pachachi  was in London and recalls that “watching the news, I never saw one ordinary Iraqi person on screen. They were absent.”

Time has got tired, says a character wearily in Utama, and director Alejandro Loayza Grisi has filmed it.

A film looking at two generations of Hong Kong demonstrators is a good idea, but Blue Island doesn’t quite pull it off.

There’s more than one way to skin a cat, and there’s more than one way to talk about migration.

The documentary Name Me Lawand pulls your heartstrings every which way to tell the story of a deaf Iraqi Kurd who is taken to Britain by his family.

A migrant’s occupation was set by who picked you up at the airport, recalls a Korean-American in the documentary Liquor Store Dreams.

In the Caribbean village behind God’s back lives a cheesemaker who has a notion that there’s more to the world than an island paradise. And that means trouble.