‘I plead guilty to journalism’, says the six billion dollar man
If you think you know as much as you need about Julian Assange and WikiLeaks, The Six Billion Dollar Man will prove you wrong. If you know nothing, it will inform and entertain you.
A Palestinian tale - straight from the horse’s mouth
You want something to laugh about? How about Palestine.
Exit wounds of Empire
What have Malaya, Kenya and Cyprus got in common? They were all the scene of end-of-Empire independence struggles against Britain.
A sense of the uncanny makes Morocco uneasy
You sense from the opulence of the Moroccan home in the opening scenes of Animalia that the director is setting us up for a fall.
Caribbean-British ‘kitchen sink’ drama set in a secure hospital
You don’t see many plays in London about Black men locked up in secure hospitals for violent crimes. So well done, Sophia Griffin, who has made that scenario the subject of her debut play.
Palestine 1936: A story for today
Despite being a story of events in Palestine 89 years ago, the release of Palestine 36 could hardly be more topical. To Palestinians, of course, every one of the subsequent years has been topical, historic and disturbing.
The Singh Twins light up the darkness of empire and botany
The Singh Twins deliver their latest artistic salvo on empire, trade, and this time, botany.
Cutting through the patriarchy in an Iranian village
In the opening shots of Cutting Through Rocks Sara Shahverdi is lifting heavy metal gates onto their hinges, cutting stone and driving her motorbike across a sweeping rural landscape. This woman means business.
Will I-Jing’s devilish left hand come right in the end?
Director Shih-Ching Tsou sets up the scene with a mother and two daughters moving to Taipei to start new lives, but it’s grandfather’s shock at discovering the younger daughter is left-handed that supercharges the family story.
Finding words to deal with the climate era
Scenes From The Climate Era isn’t the last word on climate change, but it’s a lot of useful, fascinating, entertaining, amusing, frightening words on the biggest problem facing the planet.
The tug of home, the lure of the street
It’s street versus home in Ish, a coming of age story about a Muslim British Asian in the Bedfordshire town of Luton.
Souleyman pedals for his life on the streets of Paris
Souleymane’s Story begins in an asylum assessment office in Paris and ends with an intense asylum interview that takes an unexpected turn.
A love letter to Ghanaian cinema gold
Lights! Camera! Action! Yet another film about film-making and a disused cinema: this time it’s about Ghana, and it’s a delight.
Med migrants through their own lens: building a new future
Documentaries about “small boats” usually portray the migrant passengers as victims of people smugglers. Not in The Travelers (Les Voyageurs).
Yaounde’s tough cop takes on crime - and his family
Here’s a collector’s item: a police procedural set in Cameroon.
One Woman One Bra and one non-message film with a message
The title of One Woman One Bra comes from a conversation between an awkward meeting between a gung-ho Western NGO worker and a desperate landless villager, Star.
A moving glimpse of Ivorian life in Tunisia - and a warning
Promised Sky, about three Ivorian women struggling to make new lives in a less-than-welcoming country, is a reality for millions of migrants around the world today — and may be a worrying future for many in UK unless we manage to halt the rise of the far Right and its anti-immigrant agenda.
A howl of protest, a ballet of pillage and destruction
Uprooted is a nerve-jangling howl of protest - against the rape of Latin America’s natural resources, its indigenous peoples, its environmental defenders, many of whom are women.
‘If you say black, you should see black’
The subject of Kerry James Marshall’s paintings are Black people. Very black people. He ignores the many hues and shades of Africa and the diaspora.